Birkett's Blog

A New Dawn- DedicatedToGamers.co.uk

2010-08-01T13:42:00.000+01:00

If you've been enjoying Birkett's Blog then why not take a look at my new gaming site that I have only just set up. It can be found at www.dedicatedtogamers.co.uk and I'd love it if people could get joining the forums, posting comments etc. to create a burgeoning community.

I'm aiming to create a great gaming site, delivering quality reviews, previews and news, as well as specific features from a number of different writers. Please pop over and join the site, it'd be very much appreciated.

Trailer- Halo: Reach

2010-07-29T19:55:00.000+01:00

Developer: Bungie
Publisher: Microsoft Game Studios
Format(s): Xbox 360
Release Date: 14th September 2010

Popping up today was the new Halo: Reach campaign trailer, entitled "The Battle Begins". Cue an intense orchestral score and vast, sweeping shots of space vistas. The trailer also climaxes with the looks of a huge space battle- a la Star Wars. With just over a month now till release, Reach looks set to send Bungie off in style. Take a look at the trailer below...

Trailer- Medal of Honor (2010)

2010-07-29T00:03:00.000+01:00

Developer(s): EA LA (Single Player), EA DICE (Multiplayer)
Publisher: Electronic Arts
Format(s): Xbox 360, PS3, PC
Release Date: 15th October 2010 (UK), 12th October (North America)

Moving towards modern warfare is not the most original undertaking for a series since, well, Modern Warfare, but EA's Medal of Honor reboot ought to be taken notice of. Not least for the excellent trailers that are being produced for the more realistic of first-person shooters (and a departure for the series), the multiplayer portion of the game is being expertly handled by the team at EA DICE who have experience in reams from the Battlefield series.

The latest trailer includes the single "The Catalyst" from the ever brilliant Linkin Park and their new album "A Thousand Suns" that is released this September. Proving an ideal soundtrack to the action, EA have also not ruled out further projects with the band. Indeed, bassist David Farell told USA Today "I definitely think we could do things with them down the road." Nothing has formally been announced at this moment in time, however with EA outputting the creative output of Harmonix, my money has to be put firmly on a Rock Band game dedicated to the band's outstanding career and that'll come most welcome, thank you very much.

Trailer- Gran Turismo 5

2010-07-27T22:58:00.003+01:00

Developer: Polyphony Digital
Publisher: Sony Computer Entertainment
Format(s): PS3
Release Date: 2nd November, 2010

Sony have been ever so reluctant to settle on a confirmed release date until recently for prestigious racing title Gran Turismo 5 that it borders on ridiculous. But whatever us impatient gamers think of their marketing strategy, the end result will speak for itself and by the released trailers and screenshots seen thus far, it certainly looks mighty impressive. The visuals look insanely well detailed and beautiful- take a look at the recreation of Rome within the trailer- with an insane number of modeled cars (claims up to 1000) and tracks (including the Top Gear Test Track) also making sure this will be the racer of the year, nay, the decade.

Whatever you feel of Polyphony's reluctance to release the game that has long been thought to having been completed, you can't help admire their positive attitude towards giving the game every layer of polish that need be applied to make this the must-buy for the PS3.

Review- Blur [Xbox 360]

2010-07-27T20:10:00.000+01:00

Developer: Bizarre Creations
Publisher: Activision
Released: 28th May 2010
Other Formats: PS3, PC

Straight from the Project Gotham Racing series, Bizarre Creations have taken inspiration from the unlikeliest of sorts by placing their latest 'realistic' racer in power-upped flashes of insanity in the same vein of Mario Kart. In fact, Bizarre were no holds barred in their admittance of such a design choices, basing a whole advertising campaign on it, seeing a cutesy Nintendo-like character contemplating what lay beyond the fencing from his colourful, cartoon world as real-life cars sped past in a swathe of intense neon projectiles and colour.

It's Project Gotham meets Mario Kart certainly, and make no qualms about it, Blur is worthy of such comparisons to either of the stalwart series. Similar to Project Gotham in nearly all aspects of its design, from the 'Kudos'-like system of 'Fans' to the similarity of 'Lights' to PGR's medal types. Working in favour of the overall experience, Bizarre have brought an understanding of what made the PGR experience so great to begin with whilst putting that added layer of power-up mayhem that their new footing gives.

You'll see no weapon-drops or items that you've not seen before, lets be honest, so everything from rocket-type shock projectiles, 'Nitro' and 'Mines' are all here, although Blur manages to add enough new design choices that the racing somehow feels fresh and skilful, allowing players to use each power-up differently and to their own preferred style. An example of such a statement derives when 'Nitro' is equipped. Sure, you can go ahead and use the power for an added speed boost (and sensational blurring of the screen), or choose to speed into a corner, only to hold back on the directional pad and use it for an 'air brake', slow-motion approach into the corner. Another example would be the use of 'Mines' where they can be dropped behind you in a normal fashion for static bombs on track, or be fired as a missile in front. It's such instances that Blur exceeds expectations and lifts itself from being another hackneyed power-based arcade racer into a true, skill-based racing game. The handling system rarely equates to anything on their realism levels of Project Gotham, although it needn't be. The handling feels responsive and weighty enough to make perfect racing lines remain the best way to first place, although there is enough room to allow the perfectly balanced and multi-coloured weapons to be effective, while not make racing an impossibility, nigh, an utter nightmare. In actuality, being hit from an opponent's weapon is so deftly handled in a short animation that the frequency of such occurrences never get too much and you'll be up to speed in no time. The only handling aspect I feel Bizarre could have refined is the drifting mechanic, which feels much too weighted down and difficult to pull off. With Blur pulling out a number of varying challenges to reach its 'One-on-One' meetings with the 'bosses' at the end of each section within career mode, the game is also deftly handled for each race to remain interesting and insane fun. In addition to building up stacks of 'Lights' in order to unlock further instances in career and more 'Mods' that alter power-ups, the four meta-game style challenges to get the chance to race/defeat each driver for another 8 lights range from nitro-ramming five cars (using nitro to shunt opponents) to drifting for a total of 1,500m. And it doesn't stop there, for the 'Fans' system will also award fans within each race for individual 'Fan Challenges' that lay about the track and might request that you exceed a certain speed or destroy a car whilst drifting, for example. Between the meta-game devices, fan challenges and the fan multiplier scoring system, you'd be hard pressed to find a more engaging racer. In my hours invested in the game, I've found myself so engrossed in the short and sweet modes that I've lost all track of time, only to look up and it being several hours later without me realising. If only Bizarre could have bolstered the number of modes (Race, Destruction, One-on-One and Checkpoint), then I'd have even more reasons to praise Blur than that which I already have.

The racing is nothing short of remarkable to say the least, where you'll often have to have eyes in the back of your head to maintain composure. The rear-view mirror and 'Shield' will often be your unlikely saviours when the homing missile-type red orb comes into blistering view of your screen. Also adding variation, such powers as 'Barge' (which releases a burst of energy circumvented around your car) also protect if released at the right time. There's none more satisfying a feeling than stopping the race leader in his tracks with a well timed projectile shot, or wrecking other opponents into crumpled heaps of metal (each car has a life bar that depletes through hits until either destroyed altogether or repaired through the 'Repair' pick-up) that come from the game's key mechanics.

The contrast between real-life cars (of which there are a bountiful array, ranging from sturdy Range Rovers to the more rallying supercars) and swathes of neon from weapon drops is bizarre yet extraordinary to look at and Blur is one of the more graphically impressive racers on the market to date. Such tracks as 'Brighton'- that models itself on its pier- also demonstrate Bizarre's intention in delivering fun within course design. Basked in unnatural light, Brighton is one example of the approach of the team, ensuring each track is entirely suited to the dynamism of the game. In spite of their experience in modelling tracks on famous cities, Blur still features real-world locations (such as Brighton and LA), although the developer has chosen to relax their stringent approach on sticking to each relative twist and turn, instead favouring a more altered track design which ensures each are ideally suited to play whilst still maintaining a familiar feel. Short-cuts are obviously an introduction to the PGR-like racing approach, and the tracks are much wider and less akin to tight and twisty sections, much more aligned to 90-degree turns and sweeping left and rights which further lend credence to Blur's racing style.

Bizarre might have left their preceding racer series to the confines of memory, but they have already informed us that Blur is only the start of a brand new franchise. Is it as good as Project Gotham? Without question! Blur has as much excitement as the aforementioned series to home in on racing fans, as well as the thrill and fun that comes with having brilliantly implemented power-ups and frenetic driving action, only bolstered when in multiplayer. Blur is without doubt one of the racing games of this generation.

Developer Profile- Bizarre Creations

2010-07-27T20:01:00.000+01:00

'Developer Profiles' is a series of articles that allow me to take a look at some of my most favoured companies within our industry, reflecting on past work and possible future acquisitions.

My latest look towards one of the leading developers within the industry is a studio I much admire for the fact that they were the team behind one of my most favoured racers of all time in the Project Gotham Racing series. The developer is also one of few remaining leading studios staying put within the UK- Liverpool to be exact.

Established way back in 1994, Bizarre Creations were originally involved in the Formula 1-licensed games for Sony's Playstation and PC, whilst also focusing on other projects such as third-person shooter Fur Fighters. Perhaps first tested fully on the precursor to Project Gotham, Metropolis Street Racer for the Dreamcast introduced the rewards system of 'Kudos'...[ctd.]

*Click here to see the rest of the profile from MidlifeGamer.net

All Format Chart- Week Ending 24th July 2010

2010-07-27T16:40:00.001+01:00

Tiger Woods PGA Tour 11 (PS3, Xbox 360, Wii, iPhone)

Lego Harry Potter: Years 1-4 (PS3, Xbox 360, PC, DS, Wii, PSP)

Dance on Broadway (Wii)

Red Dead Redemption (Xbox 360, PS3)

Toy Story 3 (PS3, Xbox 360, Wii)

Toy Story 3 has risen straight from last week's fifth spot to first this week following the release of the movie, whilst Crackdown 2 goes the other direction down to number 10 from last week's number one. Red Dead Redemption still continues to show its strength by remaining in the chart. Meanwhile, Tiger Woods PGA Tour 11 has re-entered the chart, take a look at my review to see what I thought of the latest instalment.

Starcraft II: Wings of Liberty will debut in next week's chart following its Tuesday 27^th release date. The RTS has been 12 years coming and should enter the top 5.

Preview- Fifa 11

2010-07-26T19:40:00.000+01:00

Developer: EA Canada
Publisher: EA Sports
Release Date: 1st October 2010
Format(s): Xbox 360, PS3, Wii, PC, PS2, DS, PSP, Mobile

As a massive fan of videogames, football and Fifa in general, I find myself with a huge obligation in reporting some of the planned features that EA hope will make this the, yes here it comes, “best Fifa yet”.

The first of many planned improvements to the formula come in the form of the new Personality+, which aims to completely address each player's “individual personality” within the game, hoping to provide complete “differentiation” sought between each player. To me, it sounds way too sophisticated to be applied effectively within the game within its first iteration, and we've seen such features touted in bygone years, although I hope to be proven wrong. Could we be seeing Arjen Robben's fluid, fast dynamism as he sprints down the wing, only to pull in onto his left foot to fire a shot home? Or Wayne Rooney to lumber about up front? (Sorry, cheap shot). Goalkeepers are also being given the Personality+ overhaul that will dictate how each will react to ongoing play, although EA have also been enthusing in detailing all-new goalkeeper abilities that will give them a much needed reality kick. Keepers will now react realistically to lobbed shots, sprint toward oncoming, stray passes, and “demonstrate urgency” when scrambling back towards their empty net. If all goes according to plan, the technology sounds absolutely incredible and could give Fifa another push towards the lofty heights of true realism.

Last year's 360° control is also publicised as having being further developed and can now calculate how collisions between multiple players will play out, in the natural progression from individual jostling. The yearly lauded “advanced intelligence” phrase crops up in EA's press release once again for the yearly franchise, now claiming “real AI” (I have no idea what that means) to control CPU players that will be bring much more sophisticated styles of play to the forefront. Again, it's hard to take EA too seriously when year-on-year we hear about such developments in AI and the like. Furthermore, Career Mode has been overhauled once again, with its new engine allowing players to play as either a real player, created player or Virtual Pro, in which instant feedback on performances will now be given, as well as a “vastly improved status system”. Other heralded details reference “authentic tournament structure, results and new calendar system”, and players can now create both players and whole teams in the new Creation Centre. Opportunity to realise my local Sunday team's Premiership ambition? I think so!

With each release in the series bringing unique faults of its own, it makes you question whether the race for perfection is ever going to be hit, although the Fifa franchise is too big not to have a yearly release so we're going to have to live with such claims for years to come. I don't doubt the quality of the game however, and will happily buy Fifa 11 like I have for the many Fifa's throughout my life. Will it live up to the exceptional Fifa 10 or flounder like Fifa 07? We'll have to wait until the 1st October to find out. I'm hoping it's the former.

Review- Tiger Woods PGA Tour 11 [PS3]

2010-07-25T20:33:00.000+01:00

Publisher: EA Sports

Developer: EA Tiburon

Released: 8^th June 2010

Other Formats: Xbox 360, Wii, iPhone

How do you go about reviewing a game that year on year is so incrementally different to its precursor. In fact, approaching Tiger Woods PGA Tour 11 with new eyes is difficult, a series that strives for familiarity over vast changes to the core game play mechanics. Sticking with the basics first off, PGA Tour 11 alters the key fundamentals in its golfing game play very little, only refining the upgrading rewards, skill advancement and career progression aspects of the game, making sure the latest update is the best yet.

The 'flick-stick' swing mechanic returns once again (ever difficult to master as always!), whilst the ability to put spin on the ball mid-air, adding extra power through repeatedly tapping 'X' and improving accuracy (reducing the size of the expected drop-zone circle) by pressing 'X' within the shot preview screen are also all here. If you'd rather, you can also click the right stick for a more accurate (and my more preferred) setting to hitting the ball, the precise flick mechanic replaced by a more friendly and accessible cursor mechanic in which you must click to begin the back swing, click for power selection and then click when it approaches the right zone. The amount of 'draw' or 'fade' can also be altered by moving the cursor over where you wish to hit the ball. The basic set-up is as ever, tight and easy to use, however, what the latest offers elsewhere is what the game can be remembered for in differentiation from its rivals. The addition of the versatile and brilliantly implemented 'Focus' meter- its semi-circle folded over the HUD of the ball and club type- will enamour those who loved the previous games' granting of unlimited ball spin or power boost in every shot, whereas here you'll have to take into account what aspects of your game are lacking/which will suit the hole, since using any of the mentioned power boost, spin and putting previews will slowly drain the meter (only filled in slight quantities if un-used for a single shot). The system works so well that in actuality, it gives PGA Tour 11 a new lease of life from those that came before it, which were ever so slowly ebbing towards a stale death. You'll be cursing your impatient use of spin onto the green once you then approach a long putt with little more than the coloured gradient grid to help you along, putt preview an impossibility, yet a necessity, with the focus meter drained of all its accrued matter.

Otherwise, the only other additions come from the inclusion of the prestigious Ryder Cup- the dramatic Europe vs. USA battle for supremacy available either online or offline (good luck in getting the whole set of players together), whilst events including 'fourball' (each member of team has their own ball, the lowest scored hole earns a point), 'alternate shots' (teams of two play alternate shots for lowest shot count) and 'single play' all add variety away from the well handled progression of the career mode. This time centred around earned XP deriving from a number of instances (in-game targets such as sinking a long putt, or progressing through the game's other game modes, such as Tiger Woods' 'Skill Challenges' mode against rival golfers- from Suzann Petterson to Tiger himself), experience points will go some way in making sure your once weak character goes on to rival the cream of the crop, as it were, within the game. Thus, you can choose where to spend your accrued XP points in a number of areas; focusing on 'swing speed' and 'power boost' for added power, or 'balance' for accuracy, among others. Again, bringing into play what aspects of your game you feel you must concentrate on is paramount to how you approach such levelling; should you focus on putting prowess, or supreme power? It'd have been nice to have a few more choices regarding where to apply points, although the spread is large enough and broad enough to remain relevant.

The final addition to the game comes in the form of the new 'True Aim' mode which aims to replicate a more realistic golfing experience for those who want added depth and challenge. Removing the over-layed shot circle, as well as moving into a first-person viewpoint in simulation of tracking the ball as the player, 'True Aim' is likely to be enjoyed by only a select few gamers who will sink their teeth into the expansive game play, whilst others, like myself, can applaud its addition into what is otherwise an already weighty package.

Already incredibly accomplished in its TV-style aesthetic, PGA Tour 11 looks vivid, bright and graphically excellent- golfers are accurately animated and modelled, while each golf course is well realised with the lush, green grass contrasting to the ever-altering light and dark from the ever-changing weather effects. Neat TV tricks such as the pseudo EA 'live' tracker bar for shot updates from other golfers is a nice touch and adds to the competitive feel of the game. The way the camera moves and is worked into the style of the game is also well choreographed; panning, zooming and tracking movements to ensure each snippet of play is captured- although once or twice the ball is difficult to spot in its choice of long shots!

PGA Tour 11 can be considered another major step forward for the series, that has struggled recently towards yearly updates becoming insignificant. The addition of the 'Focus' mechanic is superbly handled, ensuring gamer's can finally be held from exploiting the artificiality of the game. Excellent in multiplayer as it has always been, with modes ranging from 'Target' to 'T.I.G.E.R' and 'Bingo Bango Bongo', it's a shame that EA have chosen to include the online pass system as part of its upkeep, requiring players to purchase a code for online play if not purchased new from retail. All in all, it's well worth a purchase if you're yet to get into the series, and a worthy addition to the mounting pile for fans.

*This review is all features on DPAD Magazine. The review is here.

Review- Alan Wake [Xbox 360]

2010-07-24T15:24:00.000+01:00

Publisher: Microsoft Game Studios

Developer: Remedy Entertainment

Released: 14^th May 2010

“Stephen King once wrote “Nightmares exist outside of logic, and there's little fun to be had in explanations; they're antithetical to the poetry of fear””- so begins Alan Wake, protagonist suspense writer Alan Wake's wearisome tones narrating over the sweeping vistas of the idyllic setting of Bright Falls. Inspired by the collected works of novelist Stephen King and the TV series Twin Peaks, Alan Wake by the Finnish studio Remedy Entertainment has been a while coming to fruition- revealed a whole 5 years ago at E3 2005 in fact.

The serial drama style seeps through every aspect of the title, which is split into six chapters of varying length, each with their own “Previously on Alan Wake” opening and dramatic cliff-hanger close to the 'episode'. As a matter of fact, Remedy handle the proportions of drama and tension extremely well, with each close to the episode delivering enough force for want to play through the following section of the game. The TV stylistic undertaking can be commended and praised in maintaining an engaging narrative that settles on the writer's-blocked suspense writer Alan Wake as he searches for his missing wife in small-town Bright Falls, infused with bleak psychological horror, paranoia, delusion and the psyche of a schizophrenic. Also no doubt a helping hand in the pacing department, Alan Wake is a prime example of how to approach said trait, with each episode both a contained narrative in of itself whilst also contributing to the on-going plot, perfectly proportioned to deliver enough set-piece and chilling moments in equal to the array of quieter scenes between the mis-matched cast of supporting characters. It's such a shame that Remedy seem almost to have forgotten about writing a decent set of characters to relay the narrative back to us, choosing one of the most depressing and damp squibs of a protagonist (with a tiresome voice actor to support) seems strange for a title so revolved around its dramatic ambition. Characters come and go in a flash, with only Wake's highly irritating manager, Barry, sticking round long enough to get a thorough glimpse towards a true personality (even if his failed purpose is to serve the script's comic relief- badly).

Playing a major element within the game, light is dealt with on a number of levels- a marker towards the darker thoughts in Wake's mind, the thematic link to the horror underbelly, and the lack thereof within enemies- 'The Taken'. Doing very little in terms of innovative game play mechanics, Alan Wake's combat tasks players to 'extract' the darkness from those that have been consumed by the dark (focusing the beam until a flash of light expels from them), allowing you to use conventional weapons. Of course, Wake's torch is often the tool of choice when approaching foes (topped up with product-placed Energizer batteries scattered around areas), although Remedy also allow the use of flash bang grenades, car headlights, spotlights, and flares- the ever reliable spark that forces enemies back for a brief respite from their close-quarter combat in allowing your health and batteries to re-generate and re-charge respectively. Using each item effectively and in the correct way will ensure you are to escape the darkness, although the emphasis on close-quarters combat is often frustrating due to the lack of a melee option for Wake, instead solely focused on guns. It's a huge oversight by Remedy, and can make the game demanding in tight spaces when enemies attack from all sides, with dodging doing little to escape their attacks. Also lacking in enemy type, the game instead focuses on three types; small (that dark can be extracted from whenever), large (the darkness meter will recharge if not drained for a while) and environmental objects (possessed by the darkness and thrown at you- where a well-timed dodge is your best option). Entirely devoid of any ideas, Alan Wake's action sequences are verbose and dull, rarely altered throughout the game. The control scheme is also twitchy and fiddly, with Wake's animations breaking up any fluidity that can be sought.

And while it's extremely hard to speculate on whether the planned open-world sandbox design that was planned to go ahead for the game would have worked, you can't help but feel that the game often suffers from large bouts of linearity and 'A to B' syndrome. Working well when the action takes place within Bright Falls -where the artistic design is minute yet necessary for the small-town feel- the game falters where vast stretches resort to running past tree after tree in any of Bright Falls' wooded areas, not helped along by the repetitive tasks, such as finding a generator to power the gate that halts progression. The team more concerned with trying to infuse these strenuous sections with collectibles (manuscript pages from Wake's as yet unwritten novel, or strangely, coffee Thermoses), although they are merely lazy and pointless additions that add little to the core game play, other than allowing Remedy to tick the box labelled 'Replayability'.

More than favourable in presentation stakes, Alan Wake's drama is lent a hand by the well composed cut scenes that intersperse the action, with well shot sequences and exceptional lighting and particle effects, only animation and lip-syncing of Wake et. al diffusing from the overall gorgeous graphics and presentational style.

Alan Wake is a compelling and engaging experience, in which the narrative is strong enough to remain involved within the game, although its control method and repetitive manner sometimes draw you out of what could have been an exceptional drama and game to boot. In the end, it's slightly above average but by no means great.

Interview with Illfonic

2010-07-24T13:14:00.001+01:00

Ten days ago, we reported on the brand new FPS arena-based shooter Nexuiz that is soon to hit XBLA and PSN. Promising a “AAA digital downloadable title”, Nexuiz is powered entirely by Crytek's advanced middleware technology, CryEngine 3. Sufficient to say, here at Midlife Gamer, we're eager to see what Illfonic's title is all about, and when we were given the chance to interview creative director- Kedhrin Gonzalez, we had a whole load of questions to press at him regarding the engine, Nexuiz, independent development and the downloadable space.

Richard Birkett: First off, could you introduce yourself to the readership here at Midlife Gamer, who are you and what do you do?

Kedhrin Gonzalez: I'm Kedhrin Gonzalez, the Creative Director for Nexuiz. I work on various things with the project from art to design. We're a tiny team of people, everyone is multi-talented...[ctd]

*Read the rest of the interview here at MidlifeGamer.net

All Format Chart- Week Ending 17th July 2010

2010-07-19T22:56:00.000+01:00

*New Entry*

Toy Story 3 (PS3, Xbox 360, Wii)

Red Dead Redemption (Xbox 360, PS3)

Lego Harry Potter: Years 1-4 (PS3, Xbox 360, PC, DS, Wii, PSP)

Dance on Broadway (Wii)

Crackdown 2 (Xbox 360)

The entry to fifth for Toy Story 3 is a little lower than I had expected for the Disney tie-in game. Take a look at my review for my impressions on the game. Crackdown 2 stays top for the second week running in a long, barren spell for videogame releases.

It's been at least 10 years coming, but Starcraft finally gets it sequel this week with Starcraft II: Wings of Liberty. It should make it into the top five, perhaps the top three.

Developer Profile- Relentless Software

2010-07-19T15:14:00.002+01:00

'Developer Profiles' is a series of articles that allow me to take a look at some of my most favoured companies within our industry, reflecting on past work and possible future acquisitions.

For this week's developer profile, I'm concentrating on a studio that is perhaps unlikely to be considered by most 'core' gamers for the simple fact that they produce more family orientated titles and party games. Undoubtedly talented and full of fresh and exciting ideas however, Relentless Software are the sole creators of the hugely enjoyable Buzz! quiz game series, exclusive to Sony. In fact, it was perhaps their effort in 2004 with the original Buzz! The Music Quiz that set off the party game craze.

One of the more obscure of company foundings in game developer history, Relentless was originally formed by...[ctd.]

*To read the rest of the profile, click here, or go to www.MidlifeGamer.net

Review- Darksiders [PS3]

2010-07-17T23:42:00.001+01:00

Publisher: THQ

Developer: Vigil Games

Released: 5^th January 2010

Other Formats: Xbox 360, PC

Drawing immediate comparisons to the likes of Sony's flagship God of War series is no mean feat for a game that was overlooked at launch due to Platinum Games' swift, excellent and ravishing combo-heavy Bayonetta, but Darksiders plays akin with some of the most effective and joyful videogame tropes available in an engaging, action-rich experience (albeit with a terrible and clichéd story to back it up!)

Putting its emphasis on an ever popular hack-and-slash combat system may raise eyebrows as being hackneyed, underdeveloped and devoid of ideas (particularly within the Apocalyptic and mythological setting), however Vigil Games manage to keep harsh critical reception at bay in delivering the combat with a unique set of skills to accompany the extremely basic button-tapping monotony that you are likely to endure. With each new ability enabling previous parts of the world to become entwined into game play, Darksiders is particularly clever in how each new skill or item is possessed. Unlocked in regular intervals, the game manages to allow the player to become accustomed to each unique skill in time, never forcing more than one skill into players' hands before the previous feels second-nature. One of the most intriguing aspects of the game, item acquisition ranges from “War” (yes, that is his name) to be granted ability to use cross blades for a blend of weaponry and gadget to activate forlorn switches, for example, or the ability to fire portals in order to teleport from one area to another (an extension of Valve's Portal into the 3D action game space). Not only giving the game apt room in providing a number of different ways to dispatch the horde of dark beings that populate the hellish setting, but also allowing Vigil to craft some of the most devilishly tricky and fantastic 3D puzzles seen in this generation. Lost in most games these days, Darksiders is an ode to platformers of time's past where thwarting enemies is only a small proportion of the vast gaming experience, where exploration within its many (and multi-layered) dungeons and solving puzzles is vital for progression. However, it also brings up one of my key frustrations with the game, that of the dubious map. Extremely irritating to interpret the various levels of the stage, it's a detriment to the often excellent new IP that has been produced, where idly wandering any of the game's dull, lifeless chasms and corridors will become the norm, not alleviated with the lack of colour on the palette or any weight of graphical beauty. When each area looks almost identical to the next, it makes many of the complex puzzles and tasks hard to swallow, although it still has to be said, they are exceptionally well thought-out for the most part.

Built around a huge, open world, the aforementioned acquisition of new skills and weapons allows previously unfounded parts of the map become free to traverse, meaning the game has a distinct 6-part structure- four of which acting as separate entities where War must defeat the end-boss Demon and tear out their heart to return to the Demon Lord 'Samael', who can grant access to the Black Tower where the “Destroyer” lay. I'd loved to have seen each area pose a stylistic switch in design, although this is never really perceived or alluded to. With each distinct segment of the game offering new tasks to complete and new enemies to face, the game never begins to tire in the least, instead opting to constantly throw new ideas at the player (such as the ability to slow down time, or introducing War's valiant steed). It's a nice approach and a neat separation from the weight of other games thrown at us on a weekly basis, where every game play concept is driven in from the second the 'Start' button is pressed.

In a nod to the previously mentioned God of War, Darksiders insistently rips on the three levels of orbs that populate the hugely popular series. Called “souls” within this title; here, green orbs (sorry, “souls”) fill the health bar (also upgraded through progression, akin to GOW), yellow, the 'Wrath' meter (a meter for magic to be performed for added variety in combat) and blue acting as the currency of the game. Used to buy upgrades, combos, additional powers and weapons from the many Vulgrim locations within the game, the idea is another extension of how deep the initial combat system levels. War also has the added ability to transform into his 'Chaos Form' when the 'Chaos' meter fills (from delivering damage), which envelops him in a giant, demonic form for a short duration in which an added damage boost is accustom.

And although many games of its type suffer from an extreme syndrome of repetitiveness, Darksiders can not be considered amongst them- to a degree anyway. Although the world is often distinctly boring, the array of enemy types is a great thing to see. With some requiring you to perform different attacks to defeat them- perhaps best witnessed in the epic boss battles, where the game exceeds expectations in playing out some great ideas- the format is never tired. One boss battle is particularly memorable in which you must manipulate the portals on the floor in order to float onto the enemies back and deliver some devastating blows. In fact, Darksiders is an amalgamation of some of the best game design ideas available, and in that, it may be considered cheap and superficial but it ought not to be. This is a well drawn out and demanding release that is worthy of attention amongst the very best action-adventure games.

Preview- James Bond 007: Blood Stone

2010-07-16T16:22:00.000+01:00

Released: Holiday 2010

Format: Xbox 360, PS3, PC

Developer: Bizarre Creations

Publisher: Activision

It might have a ridiculous and over-long title, but James Bond 007: Blood Stone is an entirely intriguing IP. Announced today, the press release surmounts that the new title will be “an original Bond experience, [capturing] the cinematic intensity of a Bond film. Strangely, this 007 espionage adventure is being developed by Bizarre Creations- the studio behind the PGR and Blur racing series.

Joss Stone is touted as stepping in as an all-new Bond girl, whilst she also contributes original music for the game. The polygonal Joss can be seen in the picture to the right, although the likenesses of Daniel Craig and Dame Judi Dench also imbue the videogame with characters from its filmic counterpart and ought to raise its profile within the mainstream. What's being promised at this stage is an adrenaline filled, explosive action game that spans the globe, similar to the Bond films and every other spy game you wish to mention. The third-person cover mechanics, hand-to-hand combat and driving sequences may have all been seen before, but the original story (being written by acclaimed screenwriter Bruce Feirstein) ought to bring this game over others of its ilk.

I particularly enjoyed the Quantum of Solace game that used the engine at the heart of Modern Warfare for its extremely polished and refined shooting mechanics. For all its generic trappings however, the experience was little to set itself apart from the crowd. Maybe, just maybe, Bizarre can do the 007 license justice in interactive form.

Feature- The Demise of 1 vs. 100

2010-07-15T20:56:00.001+01:00

Sadly, Microsoft have formally announced that 1 vs. 100 is no more, after a short stint of two seasons. But why, you may ask!? Well, it turns out the demand isn't big enough for the record-breaking game show, although Microsoft's spokesperson stated that the company were extremely “proud” of the creative team, nevertheless.

Was it always destined for failure, however? The beta may have seen over 100,000 try it out, but those astronomical figures dwindled to an average of around 10,000 on those nights that weren't hosting the live show (although the live shows' figures were also on a slippery slope!) So what was it that killed 1 vs. 100 before it could return for its third season? Was it over-zealous ambition from Microsoft? After all, they seemed to flood us with game modes night after night during each season which surely couldn't have helped inability to sustain any resounding figures. I'd take a guess that if they solely stuck to live shows, they'd have experienced a much more positive vibe from us gamers, for what they were, the live shows were on the whole, excellent. Other from the missing host most of the time and seemingly random pickings of the '1', the live shows were engaging and thoroughly entertaining to play through, each game weighing in at mere minutes for quick and swift bites of tense multiplayer quizzing action.

Many bemoaned the choice picks of the '1' and '100', complaining how they'd “not been picked yet”. Infuriating me in equal measure for their inability to calculate probability, I didn't have a problem myself with how the show was conducted. Out of the two seasons, I knew of one person to get into the top 100- my brother was lucky enough to be picked on that fateful Friday night to rapturous hollering from the demanding avatars in the stands. Sufficient to say, his nervousness got the better of him and he left with nothing...

I can't falter Microsoft either in what they held back for winners either, with one night the grand prize being a car! So, I'm going to take a wild punt and put the blame solely onto Microsoft's ingenuity. We've never had anything like it before, where members of the public can turn on a device in their living room and take part in a live game show for prizes. Therefore, I don't see 1 vs. 100 as a failure, I see it as the very beginning of something much bigger to come...

Review- Toy Story 3: The Videogame [PS3]

2010-07-14T20:28:00.001+01:00

Publisher: Disney Interactive Studios

Developer: Avalanche Software

Released: 16^th July 2010

Other Formats: Xbox 360, Wii, PC

If you hadn't already been made aware, Pixar's crowning glory returns to silver screens this summer in Toy Story 3 (out in the UK on the 19^th July, if you're interested), and with it of course, is the tie-in videogame- this time from developer Avalanche Software and Disney Interactive Studios. Of course, movie tie-ins are often, and unmistakeably, poor. However, it seems obvious how far Avalanche have come in delivering sufficient thought towards the game of the same name, with a rich and colourful visual style that sticks true to the franchise's heritage, whilst the platforming and puzzle mechanics at the heart of the game is deft in applying a good deal of challenge for all ages and being entertaining in equal measure.

Whether you choose to forgo through the story missions that interweave between the narrative of the aforementioned CG offering, (and thus, presenting many of the new cast of characters), or jump on Bullseye for a ride around the open-world toy box, the game very rarely fails to delight. The “ToyBox Mode” open world offering seeing Woody become sheriff of the Western-inspired toy-town, western strings plucking along to the rhythm of game play, as you complete missions and mini-games as you see fit for any of Toy Story's excellent characters. From clearing mine shafts for Stinky Pete, to sprucing up the town for Mayor Hamm and capturing criminals to throw into the town jail, the toy box represents a good deal of game play in only a tiny proportion of the overall package on offer. The area is large and intricately designed enough for the more mundane 'fetch' tasks to remain relevant and adequately challenging, whilst also familiar enough to alleviate unnecessary meanderings. Extra toys, whether vehicles or perfunctory buildings, can be bought from Al's Toy Barn for coins that are awarded for completing missions (each with a fantastic TV style ad to match), to add to the town. The vast weight of the game comes from the story missions that perhaps best demonstrate the game's effective and enjoyable platforming mechanics.

With many missions underwhelming and defunct of ideas in terms of contextualising such instances into the overarching plot, the lay-out of each are surprisingly well thought out for the game to flourish in delivering a superb single player, and even better co-op experience. Revolving mostly around 3D platforming, the controls feel sensitive and in-tune with the very best of platformers, even though the level design could perhaps be improved upon for the game to stand alone on its own terms- many of the levels being a split between 'find the item'/mini-game/platformer. The platform sections work best, infused with puzzles that handle the ability to switch characters (between Woody, Buzz or Jessie, using L1) effectively. Each of their own unique abilities (such as Jessie's ability to land on smaller platforms or Buzz's laser targeting), meaning many of the puzzles that break up the platforming sections are sufficiently challenging and ensuring the game's ability to co-op with other players exceptionally rewarding, with players working together towards the end of the level. Story missions such as 'Junkyard' expel all that is great about the game, with each character's abilities intertwined and interspersed between each other towards a conglomerate resolution of stopping Rex, Slinky and Hamm from entering the mouth of the junk machine- where Jessie landing on valves allows Woody to swing to the next mechanical button, thus allowing Buzz to knock down a piece of junk to Jessie for further progression, a prime example of the developer's quality. It's instances such as these in which the game really gives the shows the best qualities on offer, alleviating it above other movie tie-ins that so often, fail to excite.

Where it falters the most is within its fetch quests, where areas are often idly paced up and down to find something that has been hinted toward- shallow ideas denting the well crafted whole. Some of the missions are also drab and dull, especially where Buzz is involved, with the over-the-shoulder lock-on shooting mechanic poor, making the endless destruction of the waves of enemies forced at him a repetitive slog to the invisible timed marker, with the rich interpretation of Toy Story 2's opening scenes a particularly resonant and stand out moment of the game, but poorly realised due to the underwhelming combat that has been given little thought. It makes me question what could have been achieved had the developer been given enough time to balance and refine the part's of the game which have obviously been rushed towards its release date, where the fetch quests make sense to bulk out the game. Avalanche Software have demonstrated assurance and quality in many instances, with some excellent ideas thrown in.

Otherwise infused with enough replicated Pixar charm and sentimentalities from the films, the game stands up very well visually, retaining playful and insightful characteristics from each of its characters and thus allowing them to each stand out very well within the game, whilst delivering refreshing and delightful colourful sets and game locations. From the dusty plains of the toy box contrasting to the bright neon-lit swathes in space, the beloved Toy Story 3 franchise is expertly brought to screen, imbuing the essence of the game with enough uniquely designed settings to keep the game pacey and interesting for the whole of its stay. The sparsely used but surprisingly adept cut scenes also doing well to add enough humour for the audience, introducing us to new characters (Peas in a Pod a particular highlight), while stitching together a loose plot.

Hugely enjoyable for the most part, Toy Story 3 can be considered amongst the best of film to videogame tie-ins for sure. Demonstrating enough charm and exceptional visuals for fans of the series, with the puzzle and platforming sections of the game doing their very best in giving gamers reason to take notice. It's no classic platformer, but neither can it be considered cheap and defunct of ideas, this movie tie-in is worthy of the Toy Story name and can be appreciated singularly, aside from the film.

*This review can also be found on www.dpadmagazine.com

Interview with Rock Hippo Productions

2010-07-14T13:40:00.001+01:00

Recently, I reported on the new free-to-play MMO-TPS Microvolts, which enters beta soon. The colourful and impressive looking game ought to be a great deal of fun when released, with its setting within the world of toy figurines. We spoke to Flavio Caracas- marketing manager at Rock Hippo Productions- about the game, his feelings on the free-to-play model, and what we can expect from future Rock Hippo releases.

Richard Birkett: The first question, very simple; who are you and what do you do?

Flavio Caracas: My name is Flavio Caracas and I'm the marketing manager at Rock Hippo Productions. [ctd]

*Have a look at my full interview here for MidlifeGamer.net

Out this Week! 16th July 2010

2010-07-12T23:23:00.002+01:00

The summer is upon us in force with very few video games released in the coming weeks. The only worthy mention this week goes out to Toy Story 3 which ties in with the hugely awaited film. I'm currently reviewing the game for DPAD Magazine, so expect a review in the next few days. With a number of playable characters and story mode (of which ties in to the film), the game looks to be sufficient for a game/film tie-in. The first hour or so with the game have been enjoyable, I look forward to seeing what else the game has in store. [PS3, Xbox 360, Wii]

All Format Chart- Week Ending 10th July 2010

2010-07-12T11:06:00.000+01:00

2010 Fifa World Cup (PS3, Xbox 360, PSP, Wii)

Dance on Broadway (Wii)

Red Dead Redemption (PS3, Xbox 360)

Lego Harry Potter: Years 1-4 (PS3, Xbox 360, PC, DS, Wii, PSP)

*New Entry*

Crackdown 2 (Xbox 360)

As I predicted last week, Crackdown 2 goes straight in at number one, whilst Lego Harry Potter: Years 1-4 drops down one place into second. There has been a new entry into the chart this week in Wii dance game Dance on Broadway which I had not heard of before. Surprisingly, it is in its second week of sales and therefore will not be crowned as a new entry into the top 5. Big titles kicked from the week this week include Super Mario Galaxy 2 (having a very short stint in the top 5) and Tiger Woods PGA Tour 11.

Only one new release this week comes in the form of everyone's favourite talking toys from Pixar: Toy Story 3. I'm currently reviewing the title so expect a review up on the site soon. I'd expect good sales from this one.

Feature- My Top 10 Games of this Generation so Far

2010-07-10T23:03:00.001+01:00

I shall begin my first ever thought piece for Gamers Guide to Life with an apology. Sorry for my reserved judgements in favour of the games as featured below, I apologise now if I have left out any games from the past few years that perhaps deserve to be in such a thorough list, but these are, regardless, only my favoured of the generation of which we are told we are only mid-way through! You will have your own favourites, as I mine, so without further adieu, here are my top 10 games of this generation. Long may it continue.

Fallout 3

What better game to pick up the mantle for the first of the list than Bethesda's post apocalyptic RPG Fallout 3. Fitting, since this generation has pretty much birthed the open world genre of which we know see with aplomb. Following on from the critically acclaimed Oblivion (which I could never get on with), Fallout 3 was a lesson to potential RPG developer's in how to create an immersive world with an engaging storyline and excellent role-playing mechanics. Hours could disappear roaming the wasteland for hidden delights, only boosted by the additional DLC that was offered after release.

LittleBigPlanet

One of my favourite games of 2008, LittleBigPlanet was like nothing truly seen before. Spawning the label of 'Play, Create, Share', over 2 million levels have been created by its community to date (I lent my talents to two). A platformer at heart, the level designer and community features were where the game really stood out, with unbelievable levels created by fantastically creative people. Search for anything within LBP's servers and you'll probably find a match. From re-creations of classic Mario levels to representations of people's home lives- LBP was worthy of its limelight.

Rock Band

For being the first game to introduce the full band set-up and hours upon hours of lost time, Harmonix's return to rhythm-action after they had spawned the Guitar Hero franchise let us run wild in our search for rock stardom, now on drums and mic, as well as guitar. The sequel may have refined the template as layed out here, but for the first game to be a success was praise enough after Activision's vital head start with the GH series. Cluttering our living rooms with cheap plastic peripherals ever since, Rock Band- we salute you.

Grand Theft Auto IV

Possibly the most sought after sequel for the current generation, GTA IV set the record at the time for the best single day sales and week sales for a video game, despite its '18' age certificate. The departure from the fun filled San Andreas to the much grittier life of immigrant Niko Bellic was bold, although one in which I felt was needed. Despite its clunky controls, GTA IV was exceptional in its design with the hugely detailed Liberty City inspired by NYC and exciting cast of characters.

Uncharted 2

Despite the strong original, Uncharted: Drake's Fortune, at the early life of Sony's PS3 (and one of the first Playstation exclusives of this generation), Uncharted 2 has to be considered over the first since it got nearly everything spot on. Superbly animated character models and expertly directed cut scenes seamlessly integrated with game play, yep, Naughty Dog's treasure hunting Nathan Drake is set to be one of the flagship's for Sony for years to come. If you haven't played it yet and don't yet quite understand the hype regarding Sony's console, try it. You won't be disappointed.

Heavy Rain

The third PS3 exclusive to appear on my list is also the most recent. Released this February, I only got a chance to play the “interactive drama” around a month ago. Set apart from any other game, Heavy Rain is an experience unlike any other. Excellent cinematography, resounding score and an involving narrative imbue its cinematic sense, whilst the frankness of its moral choice philosophy gave each player a feeling of crafting their own experience. I was taken aback by how well the game was conveyed, and utterly spellbound by the plotting.

Mass Effect 2

Bioware's sci-fi space saga gave a number of reasons why it ought to be considered one of the best games of this generation. Not only have Bioware created an exceptional and fully in-depth universe of alien species and planetary intergalactic wars, but like a mixture between the cinematic ambition of Uncharted 2 and the moral choices of Heavy Rain, the RPG has rarely become so fully polished as this. I await the third to conclude the trilogy.

Forza Motorsport 2

I'm reluctant to put down the third in the franchise onto the list since I felt slightly let down in its online fuctionality, which was plagued from day one. Instead, I'll go with the sequel to the original Xbox game Forza Motorsport, which was the first true driving simulator for the current generation, and one which still performs admirably and looks excellent some time after. The online was also well handled, as well as the progression of the career mode. Whether Polyphony Digital can match its ambition with Gran Turismo 5 is another story, but it certainly has a tough task ahead.

Halo 3

'Finish the Fight'- yeh, right. Then go back again and fight the in-between years! It might have failed to live up to the hype in terms of its epic conclusion to the trilogy, but it can not be argued Halo 3's success lay within multiplayer, with its matchmaking still one of the most played on Xbox Live besides the competition of recent delights such as Modern Warfare 2. Adding XP and character customisation to the massive Halo 2 online foundation, its the game which I stick on for some multiplayer action before any other.

Mirror's Edge

Received quite poorly, Mirror's Edge is one of my more favoured titles for one reason: it tried something different and it worked. The first person perspective was an odd choice given the free-running game play, but EA DICE delivered in epic proportions with fast and exhilarating game mechanics. Slightly unforgiving and frustrating at times, the game still ought to be remembered for some time to come, regardless of the fact it lies for mere pounds in bargain buckets around the country.

My Game of the Year so Far

2010-07-09T21:10:00.001+01:00

We're now half the way through 2010, which has so far produced a range of frankly awesome titles. From sci-fi epics such as Mass Effect 2 to “interactive dramas” (Heavy Rain) and the angriest antagonist this side of Mount Olympus (God of War III). So, without further adieu, my game of the year so far...

Released in the very first month of the year, my game of the year so far has to be Bioware's masterpiece Mass Effect 2, which I felt refined the core experience at the heart of the first game so consistently that it was very nearly of unrivalled quality from the get-go. No other time in 2010 have I felt so enveloped in a game's experience as this, stepping into the shoes of Commander Shepard for the second time. From its excellent cinematography and outstanding cinematic action, to its deep and atmospheric storyline and plotting, it really had it all.

As well as providing us with a presentation overhaul with a gorgeous visual quality and bright and vivid worlds that filled its narrative, Bioware went further in delivering a top-class cover based system for combat, rivalling some of the leading shooters out there. The first games clunky control system could finally be forgotten, as enemies were neatly dispatched through a hefty mix of gun play and clever use of powers. The dialogue was excellent, each character given a full and well rounded personality, and there was enough dramatic moments to rival the very biggest of Hollywood blockbusters.

With Mass Effect 2, we were presented with a rolling continuation of the vast space saga that will conclude in the final game of the trilogy, whilst the negativity that the first game held was addressed wholeheartedly. RPG mechanics were weakened (no bad thing), its cinematic offering was improved, the dialogue system was given extra weight, and action was upped. A resounding success, but did we really expect anything else from Bioware!? Sufficient to say, the third can not come soon enough!

Developer Profile- Rockstar North

2010-07-09T14:41:00.001+01:00

‘Developer Profiles’ is a series of articles that take a look at some of our favourite companies within the industry, reflecting on past work and looking forward to future titles.

Probably one of the most successful developers working in the industry at this moment in time, Rockstar North continue to excel from pre-existing boundaries in quality with some of the most highly acclaimed titles available on modern consoles, pushing what was deemed possible with some truly epic examples of modern game design. Grand Theft Auto is their holy grail, destined to be remembered as one of the pioneering breaks for video games into the mainstream consciousness, for more reasons than one...

Originally formed in 1988 by Dave Jones, Russell Kay, Steve Hammond and Mike Dailly...[ctd]

*Click here to be taken to the full developer profile on MLG.net

Preview- Kane & Lynch 2: Dog Days [Hands-on]

2010-07-08T19:35:00.000+01:00

Released: 27^th August 2010

Format: Xbox 360, PS3, PC

Developer: IO Interactive

Publisher: Eidos Interactive/ Square Enix

In serving its cold, dirty and gritty underbelly, Kane & Lynch 2: Dog Days is met with a unique visual style. Shot to look like real-world documentary type camera work, there's no escaping the flair that IO Interactive have used to showcase the second in the Kane & Lynch series- the first having been received critically poorly. In trying to distance itself from others in its genre, Dog Days' hand-held camera aesthetic that accumulates strewn rough cuts, sharp movements, blinding lens flares and extremely fuzzy quality all help convey its added sense of realism.

And it works. As the demo's opening cut scene begins (once the loading screen has neatly portrayed a phone call), it becomes immediately clear- if you hadn't already guessed- the excellent tone that has been set. It's something that is expertly transitioned into the third-person, over the shoulder, cover-based action also, where the camera idles from side to side and waves to and fro as quality seeps and loses focus once the game play picks up.

Taking control of Lynch in the sequel, combat feels extremely well handled, from smooth transitions into cover, to the aim assisted shooting mechanics that do well to pick off enemies through the destructible cover. With the opening of the hands-on taking place in a Shanghai restaurant (more on that later), the explosive blend of action movie and grindhouse rough and tumble can be sampled. With sprinting seeing the camera jaunt up and down and side to side in trying to replicate the work of amateur cameramen, action is visceral and brutal with an unforgiving feeling of being a part of the action.

However, the short demo does little to forbade negativity coming its way. I wholeheartedly question the reason for the HUD elements when IO have gone so far in addressing the pervading sense of 'real'. Why not go all out in having that sense of documentary film making? It seems only a part of the intention has been carried out, since the remainder of the game is still blindingly eager in promoting unrealistic game play elements such as relocating weapons after a fire-fight using down on the d-pad highlighting dropped weapons, or choosing to use markers for points of interest. Not that the developer seems keen in becoming lazy in other aspects of the game's design- the attention to detail within the streets of Shanghai is simply fantastic. Stores are fully stocked (one shop has IO's previous work on store shelves!), and the shady streets are dirty and populated with well animated characters. The sense of location is further improved with the lights of monumental skyscrapers casting shadows down onto the action.

In addition to the sample of single player campaign, the demo also features a newly introduced singe-player 'Arcade' mode in which players must accumulate as much stolen money as possible with a team of ragtag NPC criminals against AI police officers within a four minute time period. Working together is the aim of the game if you're to make the escape vehicle in time, although with money split evenly between surviving members (used for buying additional weapons), you may want to increase your share by killing other members of your team- seeing you become a “traitor” and a walking target for everyone involved. Fail to escape the heist and you'll lose a life, with each of the three rounds given getting progressively harder. The multiplayer equivalent to 'Arcade' is the returning 'Fragile Alliance', whilst 'Undercover Cop' selects one player to be “cop”, tasked with stopping the other players from stealing the dough, introducing a dramatic multiplayer mode in which no one can be trusted until the cop is dead. 'Cops and Robbers', meanwhile, is Dog Days' take on team death match in a 6 versus 6 fight between the opposite sides of the law.

Whilst the first game was a let down by nearly all who played it, Dog Days looks really quite excellent. The cover system adds weight and refinement to the combat system whilst the presentation and immersive graphical style is well put together (unless you suffer from motion sickness that is!) The main problem I have is the sense of uniqueness- other than the visual flourishes, it offers very little different from the waves of other games already on the shelves. I can't help but get a feeling that it'll hog bargain bins in little time after its release.

Preview- Blacklight: Tango Down

2010-07-07T14:35:00.001+01:00

The release of EA DICE's Battlefield 1943 onto Xbox Live Arcade and PSN last year finally showed us two things; one- broad and full game experiences can be offered onto a meagre 2GB limit, and secondly- downloadable titles can sell extremely well if the developer gets it all right (1943 was the first download-only title to reach 1 million units sold!)

And this is why it's worth getting excited about the futuristic shooter- “part Blade Runner and part Call of Duty”- Blacklight: Tango Down, that is to be released onto Xbox Live today (July 7^th) for just 1200 MS points...[ctd.]

Click here for the full preview on midlifegamer.net

Review- Split/Second: Velocity [PS3]

2010-07-07T00:53:00.002+01:00

Publisher: Disney Interactive Studios

Developer: Black Rock Studio

Released: 21^st May 2010

Other Formats: Xbox 360, PC, iPhone

Like a Michael Bay production with added vehicular destruction, or a pyrotechnics wet dream, Split/Second:Velocity pulls no punches in following the crowd with simple arcade racing fare. Instead, the race for the chequered (yet slightly singed) flag will come from negotiating your way around the fully destructible tracks on offer, where towers crumble to the floor in an explosive heap of concrete, where aircraft land precariously over the race track and whole raceways fall under the weight of revving engines. This is something barely witnessed before. Sure, games have messed with destruction in the racing genre (Motorstorm: Pacific Rift comes to mind specifically), but rarely has a game's core concept been driven around such a gimmick.

And don't let the word 'gimmick' put you off either, for Split/Second's reality TV show destruction package is as near you'll get for some time to a racer so action packed and utterly enjoyable as this. Similar in style to Criterion's excellent racer Burnout 3: Takedown but with added 'oomph', shall we say, SS's premise is made possible through each driver's use of the so-called “powerplay” action moves that enable triggered and pre-scripted explosions on-track to blast their way into the game's racing carnage with aplomb- a mixture of extraordinary graphical fidelity (some of the best explosions ever witnessed) to brilliant audio cues (a lull of silence before a huge eruption resounds from speakers)- in filling up the “powerplay meter”.

Split into three sections, the meter slowly fills through drifting, drafting and jumping and, depending on how much is filled, will also allow you to trigger one of two powerplay events. Whilst the first two sections allow for small explosions (I say small, I mean 'small' compared to others!) and the ability to open short cuts, the latter section can devastate opponents' plans for first in enormous and hugely impressive moments in which you'll (figuratively speaking, of course) literally have to pick your jaw up from the floor. Not only can such events crush opponent's into mere folds of scraping metal, the track can also progressively change depending on which event was triggered. One such example on the 'Airport' level sees a tower crashing down onto the previously untouched asphalt, only to open a huge expanse of open runway (in which the aforementioned jumbo jet will no doubt crash land onto your shiny, glittering body work that is showcased beautifully with Split/Second's gorgeous visuals- Black Rock also cleverly incorporating the HUD (containing the meter, position etc.) under the rear bumper of the car. Such design choices are minute and yet extremely beneficial where such elements would otherwise obscure the blinding thrills, something so simple but an idea which I'm sure other developers will likely use in following games.

Moving on to Velocity's arcade racing, and again, Black Rock have delivered in abundance. Vehicles are marked out in favour of drifting, speed, strength and acceleration levels, although of all vehicles that I managed to try out, all felt remarkably weighty and pleasant to drive. You'll no doubt find an ideal motor that suits your style of play and the embellished game mode, with speed sacrificed for stability (vital for powerful explosions and the 'Survival' mode- where a truck drops explosive barrels in front), stability sacrificed for speed (more useful for races and 'Devastator'- a take on time trial where explosive events trigger automatically). The latter mode being the most useful in seeing all that each track has to offer, with the excellent 'Airport' a stepping stone on the way to the tricky and awesome, fiery and hazardous charge of 'Airplane Graveyard' where no jet engine is stable. Progressing through the season mode within the game is expertly handled, in which points are awarded based on your finishing position, thus contributing to a 'episode' finale showdown with the fastest drivers to qualify for the superseding episode (a total of 12). In paying attention to the lull that can be a staple of the racing genre, Black Rock consistently vary game types throughout and keep things rolling at a fair old rate. No event is too long and neither are two ever the same, with a number of events; 'Race', 'Devastator', 'Survival', 'Air Strike' and 'Air Revenge' all contributing to the persistent, dependable, unabashed and unshakeable revolve of action sequences. And although others can complain that the game suffers after the initial exhilaration phase of seeing powerplays for the first time, I can conclude the exact opposite. Yes, the first time around a track is a delight, but in learning each track corner by corner, play by play, can the game only really come alive. It's where the game turns from gimmick into a true arcade racer, where skill is as important as tactics.

There seem to be only a few minor faults that resonant to me about the game. I can't help but be wary of first position- not only does Split/Second ultimately punish those in first with the inability to use powerplays at all (only short cuts can be activated), meaning action at the front of the pack is often the more dull, strange considering the 'racing' aspect of the game. I'd like to have seen some way in which opponent's can still be, maybe indirectly even, given a harder route to your rear bumper (rubber banding accounting for such instances), perhaps incorporating the excellent slow-mo replays to what is happening elsewhere as a result of your actions. Also particularly noticeable in multiplayer was the way in which first place, if not stopped early on, can ultimately win the race with opponent's almost helpless in pursuing since powerplays are limited to what the player can see and only those directly in front. I'd also have loved to see a similar mechanic to Criterion's Takedown in which opponent's can be pushed into obstacles and the like to result in a “wreck” (in addition to the destructive powerplays), which could have added another dynamic to the play and going on to improve the arcade feeling of the game as a whole.

Featuring two player split screen multiplayer, as well as rousing online play, a full career mode and quick play, Split/Second is a joy to play. In concentrating on the explosive set pieces, Black Rock have engorged us on an arcade racer that deserves its place alongside the greats of Burnout and Outrun. Guaranteeing enormous re playability and a whole load of throwaway fun, this is a racer worthy of your time.

Take a look at my preview of Split/Second here.

All Format Chart- Week Ending 3rd July 2010

2010-07-06T19:32:00.000+01:00

2010 Fifa World Cup (PS3, Xbox 360, PSP, Wii)

*New Entry*

Tiger Woods PGA Tour 11 (PS3, Xbox 360, Wii)

Super Mario Galaxy 2 (Wii)

Red Dead Redemption (PS3, Xbox 360)

Lego Harry Potter: Years 1-4 (PS3, Xbox 360, PC, DS, Wii, PSP)

Almost identical to last week's chart, this week's sees EA Sports' Tiger Woods PGA Tour 11 enter at number four, thus Naughty Bear is pushed from the top five down to ninth. 2010 Fifa World Cup is finally dwindling as this summer's tournament comes to a close. Lego Harry Potter: Years 1-4 makes it a second week at the top.

Crackdown 2 ought to be a very good seller and should trouble Potter for the top spot next week. The sequel should exceed its predecessor's sales figures (although that sold remarkably well since the Halo 3 Beta was included!)

Out this Week! 9th July 2010

2010-07-05T16:58:00.000+01:00

Only one major release this week, but isn't it a cracker!? The follow up to Realtime Worlds' Crackdown, Crackdown 2 is instead developed by Ruffian Games (incidentally, founded by two of the lead designers from Crackdown), who look to expand on the sprawling city sandbox from the first with the all-new terror on the streets with escaped mutant beings, or “freaks”. Players will now also be able to team up with friends and others in the addition of four player cooperative play, as well as experiencing all new superpowers (such as the brilliant 'Superjump') and brand new weapons. Orb collecting returns from the first and will be required to experience all the game has to offer, in upgrading your Agent. Competitive multiplayer is featured beside the single player campaign also, allowing up to 16 players to fight in a bid for dominance. [Xbox 360]

Take a look at my hands-on with the game's demo.

Feature- Ramblings on Move and Kinect

2010-07-02T23:44:00.000+01:00

I think it's about time to share my real thoughts about Microsoft and Sony's lofty ambitions to match the Wii at what it did first, if not best. Both Kinect and Move are now mere months from store shelves, so the question is: am I looking forward to either-if not both- of them, or are they merely potential dust collectors!?

Considering the relatively poor showing of Kinect at this year's E3 press conference for Microsoft, I have to say from the off that I have been utterly demoralised to caring about what was previously called 'Natal'. The “hands-free” technology, granted, looks entirely innovative and exceptional in its own right, but given we were presented with cheap knock-off sport collections and duller-than-dull casual titles, I edge my bets that Kinect will be a stupendous failure- alike to other monumental cock-ups like the Mega CD addition to the Megadrive. So, the problem lies not with Microsoft per se (although they can be partly to blame), but also the developers who seem insistent on re-producing shoddy shovel-ware party games that can be taken straight from the mould of the “Nintendo Wii School of Family Friendly Gaming”.

Oh, and the price? Microsoft seem reluctant to waver a mere mention of such a figure, although pre-orders are being taken for $149.99 in the States. This can be converted to around £140-150 upon arrival in the UK after import taxations and VAT etc., although it is very much an estimate at the moment. If it does come out at the price however, I see a very small uptake and poor initial sales. Looking instead at Move's price plan and it's somewhat cumbersome, although at least it can be ordered at the time of writing (take note, Microsoft!). The varied prices will depend on whether or not you already own a Playstation Eye camera, which makes Move's fantastic 1:1 technology possible. The singular Move controller is priced at £34.99 (albeit without the sub-controller- a further £24.99!), whilst a pack to get you started with Move (that is, the initial Move controller, Playstation Eye and demo disc) will set you back around £50. It's by no means over-priced, although by no means cheap, Move is certainly the more generous option at this moment in time, though I question the worthiness of such an addition so late in the consoles life cycle.

The announcement at E3 2009 of Natal/Kinect had me beside myself with conflicting emotions; shock, excitement, awe. It had everything; big name movie directors singing its praises, a great TV spot of its singing possibilities, and good old Peter Molyneux lavishing his wise words to what it means for the industry... Ahh, good times. A year on, and it tells a different story. The poor showing- along with the price point estimation- has me shaking my head in disbelief. Don't get me wrong, I'm more than excited to try it out, but really, how could it go this wrong? Will we be buying the device, only to use it as a swanky Minority Report-esque dashboard controller, or will it really be the 'game-changer' that many at Microsoft really believe it is?

On the flip side, Sony's showing of Move in the summer of 2009 was agitated and nervy, with two on-stage demoers utterly bewildered they'd been put in such a situation. The tech seemed buggy and less than responsive, whilst there were absolutely no signs towards a hint of a game, of any sort!

June 2010, however, brought me new-found optimism in favour of Move. The titles that have been shown up to this point look sound, if a little stale. We have the sports mini-game collections that seem to be the one good thing all motion controller inputs are good at (with Sports Champions), whereas the likes of integration into Socom 4 look more than unique, and bizarrely, looks like it actually works well! Where I think Move can really excel however is where games can go that extra step with Move support- imagine, for example, David Cage's Heavy Rain with Move (it is planned, by the way). It's what the game was made for, is it not? Furthermore, such entirely promising demo's of integration into Media Molecule's LittleBigPlanet have already been showcased, in a reminder that we may not need outlandish new game mechanics, but merely expanding on existing game play possibilites. Move's on my pre-order list for sure, I now await its September 15^th release. Kinect, you have me disconnected.

Interview with Stewart Bell

2010-07-02T11:06:00.001+01:00

The recent announcement of publisher 'Ant Games' opening its doors led me to having the opportunity to interview its founder, ex UK managing director of Microprose- Stewart Bell. I asked about his new acquisition and what the first few releases hold in store for the future of the company.

At the beginning of June, we posted the announcement of new UK publisher 'Ant Games' opening its doors. Headed by the former UK managing director of the incredibly successful publisher, Microprose, Ant Games had already made gamers excited about their upcoming projects with the reveal of MMO Fallen Earth and JW Stealey's Warbirds: Dogfights. With a future intended to distribute through both digital and retail avenues, we spoke to Stewart Bell about what he hopes to achieve with the formation and where he thinks this path might lead...

Richard Birkett: First off, for the Midlife Gamer readership, could you let us know who you are and what you do?

Stewart Bell: I am CEO of the newly formed publisher 'Ant Games'.

Read the rest of the interview here at MidlifeGamer.net

Developer Profile- EA Dice

2010-07-01T19:18:00.000+01:00

To continue to expand my portfolio, my work at MidlifeGamer.net has now seen me take up a new series of work entitled 'Developer Profiles'. Reflecting on a new company weekly will hopefully let me gain a broad spectrum of what's happening within the industry as a whole, as well as gaining a better understanding of what particular teams are all about. For my first profile, I decided to look at EA Dice who make the excellent Battlefield series, as well as the title behind one of my most memorable gaming experiences with Mirror's Edge. Here it is...

'Developer Profiles' is a series of articles that allow me to take a look at some of my most favoured companies within our industry, reflecting on past work and possible future acquisitions.

I have had a particular soft spot for EA DICE in recent years, who consistently seem to deliver interesting and top-notch games. With a now distinctly successful Battlefield series to their name, DICE have shown an outstanding desire for quality with the number of games they've been a part of, such as with the ambitious new IP of Mirror's Edge- projecting a whole new set of skills and labelling themselves as more than a 'one trick pony'...[ctd.]

*Click here to be taken to the full developer profile on MLG.net

A Look Ahead...July 2010

2010-07-01T10:11:00.000+01:00

If you take a look at my preview for Ruffian Games' sequel to the 2007 hit Crackdown, you'll no doubt probably guess I'm somewhat excited about the 9^th July release date of Crackdown 2 for the Xbox 360 which will expand on the original in a number of ways, not least the fact it hosts many more superpowers, additional weapons and plenty of vehicles. You can also choose to team up with three others in the four player cooperative play, which also lets you play though the entire story together. And yes, orbs will be scattered in every which direction you care to look for your obsessive compulsive content. Beware of hours of sunk time in the search for them, Crackdown 2 is my buy of the month.

It's a professional sport in South Korea, with pros earning hundreds of thousands of pounds for competing in tournaments. Here, it's one of the most popular RTS games ever created. Of course, I'm talking about Blizzard's Starcraft which was released in 1998. Now, the insane anticipation levels can finally be subdued as it gets a sequel finally in Starcraft II: Wings of Liberty which refines power structure between different forces, with the main game focusing on the Terrans. A further two games focusing on the Zerg and the Protoss will add to further weight to the Starcraft II experience at later dates, although this one release is boasted as being more than a worthy full game in of itself. The PC gets another big release this month with MMO APB, or 'All Points Bulletin' if you'd rather. The game's design is led by creator of the first two Grand Theft Auto games and Crackdown- David Jones. Taking place in a modern-day fictional city called San Paro, players will have the option to play as either 'Enforcer' or 'Criminal' in a constant toing and throwing between the different sides of the law. The game looks excellent in its ambition, with players regularly tasked to either commit crime, or to stop it in its tracks. For example, if a group of players rob a store, others who acts as 'enforcers' will be called in to put a stop to it. The way in which character progression is developed using skill rather than time investment is just one way in which APB differs from its rivals in a unique and exciting way.

Otherwise, the month of July looks slightly empty. Annual EA release Tiger Woods PGA Tour 11 comes to the three main platforms on the 2^nd (with Move support also guaranteed for the PS3) whilst Disney tie-in Toy Story 3 comes just before its cinematic release, with the film released to awaiting audiences on the 23^rd. The game will recreate events from the movie, although players can also roam its sandbox environments with the all-familiar characters also, whether alone or in the two-player split-screen mode.

Review- Metro 2033 [Xbox 360]

2010-06-30T16:31:00.001+01:00

Publisher: THQ

Developer: 4A Games

Released: 19^th March 2010

Other Formats: PC

You don't see too many games based on novels lying about the shelves, granted, but 4A Games' first release ponders the question, why not!? Based on the novel of the same name by Dmitry Glukhovsky, Metro 2033 is a prime example of an entirely intriguing concept that can be sufficiently brought into video game form in apt fashion. It makes you wonder, what else lies out there that awaits video game conversion...

Taking place from the perspective of lead character Artyom, 2033 is set in the dark and dank tunnels of post apocalyptic Moscow's metro tunnels after nuclear war obliterated all remaining life on the surface. This is a tale meandering through depression, communism and survivalism of the highest degree, in the drab and grey underbelly of Moscow's subway stations, populated by desecrated and weak survivors. The post apocalyptic setting here, every match for the barren and oppressing DC wastelands witnessed in Bethesda's thrilling Fallout 3. It's something so resonant and involving that the slight lack of visual fidelity fails to mask it, instead, the game's overarching bleakness that wallows in its dark brutality leaps from the screen. The theme resides within every aspect of the game's unique design- of which the developer can take full credit in delivering Glukhovsky's thematic tones- from the drab scapes to the makeshift and almost home-made look and feel of its weaponry, rusting parts and mechanical faults that seem to have been put together through loose, ramshackle components. The dense back story that no doubt is lent a helping hand from the novel, meanwhile, delivers unique and neat ideas of its own- the concept of 'Military Grade' bullets that were made pre-war acting as both currency and more effective rounds of ammo is well implemented (holding down 'RB' swaps bullet type). Equipping your weapon to literally “fire money” is something you'll only have to do maybe once or twice within the relatively short campaign, that can faulter with its severe difficulty spikes.

Whilst it is admirable that 4A Games have tried their hardest in sticking true to the source novel on a number of occasions, through both plotting and pacing, you can't help but find fault in its overly drawn out and linear meanderings through tunnels, with vast stretches of the game becoming tiresome given the developers insistence on 'hand-holding' as fellow characters drawl in pseudo English-Russian accents that are distinctly poor. In tackling such issues, portions of the game do take refuge on the destroyed land of the surface where the gas mask (equipped through holding 'down') is your aid from the toxic gas that poisons the air. Keeping an eye on your gas mask filter levels (where a click of 'LB' results in the character showing his wrist meter) is vitally important if you're to survive, since extended periods of use will blur vision and result in the excellent aural cues of rasping and wheezing, as well as visual screen blotches. Thankfully, replacement filters can be bought in any of Metro's underground markets- in addition to weapon upgrades (a bayonet attachment for example), weaponry, and ammunition (where the aforementioned 'Military Grade' bullets are exchanged for currency).

In fact, the game only really struggles in its combat, where the use of an obtrusive lock-on mechanic fails to help the generally ineffective and poor shooting mechanics. In trying to deal with any of 2033's hideous monstrosities that sap from the filthy surroundings, you'll most probably feel overwhelmed with the attacking ferocity that can come as a result of the combative system that governs play. Not helped along by the often severe lack of ammo, this is where Metro 2033 perhaps fails to shine the brightest.

It's also a shame to see such an interesting story or narrative fall from the developers grasp as they struggle to seep any weight of cinematic ambition from their first-person viewpoint (we only see the lead protagonist in full in the closing scene!) In the plot that stretches from survival to friendship and more supernatural and strange phenomenon in plentiful dreamscapes, it's at a detriment to its whole when the conclusion is this underwhelming, as the amped up progression fizzles and combusts into a overly long, drawn out close.

In weighing up my feelings on Metro, I can't help but applaud the fantastic setting and world that has been expertly constructed, keeping a firm grasp of its thematic bearings whichever way you choose to look. The story could have perhaps been dealt with a little more resolutely in some of its more stretched out scenes, although within its infrastructure are some frankly excellent examples of how to create undying levels of tension, with the thematically resolute tone only helping in such instances. The sequel has just been announced, so if Metro 2034 can refine in the aspects that I believe it should, then 4A ought to have a fantastic shooter on their hands.

Review- Football Genius: The Ultimate Quiz [Xbox 360/XBLA]

2010-06-30T11:12:00.002+01:00

If you are, like me, swayed by the odd casual quiz game, from the likes of Scene It?, Xbox Live's 1 vs. 100, or the excellent Buzz! series on Sony's PS3, you might well just find this little arcade title a lovely little pleasure. If you're a football fan, that is!

If you hadn't guessed from the title, Football Genius is aimed squarely at those who love all things football, and punts “over 3500 questions” your way throughout its variety of game modes. If you're not a fan, then things are going to get tricky. It's a casual title sure (avatar integration and its comedic sound effect buzz-ins are a sign of which), however it never feels so overwhelming as to be a lesser game...[ctd.]

Click here to be taken to the full review on Midlife Gamer.net

All Format Chart- 26th June 2010

2010-06-28T22:01:00.000+01:00

Naughty Bear (Xbox 360, PS3)

2010 Fifa World Cup (PS3, Xbox 360, PSP, Wii)

Super Mario Galaxy 2 (Wii)

Red Dead Redemption (PS3, Xbox 360)

Lego Harry Potter: Years 1-4 (PS3, Xbox 360, PC, DS, Wii, PSP)

Finally, Rockstar's fantastic Western epic Red Dead Redemption is finally knocked from first in the charts as Harry Potter casts his spell in Lego world with Lego Harry Potter: Years 1-4. Elsewhere, new release Naughty Bear by A2M enters at a very satisfying fifth although the Transformers license bearing Transformers: War for Cybertron can only enter the chart in 8^th.

Tiger Woods PGA Tour 11 is always a strong contender for chart position although the other releases of the week, APB and Sniper Ghost Warrior needn't trouble Potter at the top.

Out this Week! 2nd July 2010

2010-06-28T18:26:00.000+01:00

Realtime Worlds' follow-up to 2007 title Crackdown- the open world, cel-shaded extravaganza- is this week's massively multiplayer APB, of which they have been working on since finishing the aforementioned. The MMO will allow players to act either as an 'Enforcer' or 'Criminal' in a dynamic balance between law and order, of which players can affect. APB also features impressive matchmaking systematics to ensure players of similar skill levels are matched in competitive multiplayer, whilst its real-time combat system should deliver exciting game play experiences. Furthermore, the expansive customisation options keeps things feeling entirely personal along the way, allowing the player to create not only characters, but vehicles, with help from the in-game tool-set. [PC]

The Tiger Woods games suffer from the curse of yearly franchises- projecting unnecessary releases at gamers with little need to pay attention. The franchise has long since near-perfected its golfing game play, with the recent PGA series of games adding next to nothing for core gamers. However, it doesn't stop EA, with Tiger Woods PGA Tour 11 said to feature new tournament play, online modes and player control. And for the first time in the series, the Ryder Cup has been included, simulating all players and courses no less. This comes with the ability to partake in a giant 24-player multiplayer Ryder Cup for your own online. Motion support has been shown off for both Wii's 'MotionPlus' and Sony's new Move controller. [PS3, Xbox 360, Wii]

I'll forgive you if you haven't heard of the final release of the week, Sniper Ghost Warrior, since its one of those games that comes along unnoticed in a haze of cheap thrills. From developer City Interactive, Ghost Warrior is a first-person tactical shooter said to be “the most realistic sniping experience in a video game” with the its system for tracking bullet trajectory and environmental affects met with player control of breathing. The setting of lush jungle certainly looks appealing, and the insistence that players can choose how they approach given situations sounds entirely promising. Perhaps not one to go amiss, after all. I'll wait and see. [PC, Xbox 360]

Preview- Crackdown 2 [Hands-on]

2010-06-25T16:22:00.001+01:00

Released: 9^th July 2010

Format: Xbox 360

Developer: Ruffian Games

Publisher: Microsoft Game Studios

Having bypassed Realtime Worlds' original game released in 2007, I came to Crackdown 2 knowing little of what to expect. Not that I hadn't heard great things of the prequel, with a number of nods toward its “orbs” and devilishly difficult achievements. The direct sequel, now developed by Ruffian Games, follows the super-human officer working for the Agency (simply referred to as “Agent”) who looks to put a stop to the mutants that that have escaped the research facility from the original.

Granted a 30 minute demo with the game, it becomes immediately apparent what the team strive for, in a flash bang of explosive, fast, frenetic action with the beautiful cel-shaded metropolis of the open world sandbox Pacific City glistening in high def, fantastically realised, superbly composed and rendered. Considering a quick press of 'Start' unveils the map of the foreboding city, and you'll begin to admire the enormous play area that will be available to rip through in the main game, although here only a portion of which is playable. The cel-shaded feel only subverting your gaze away from similar open-world clones, and yes, it is indeed, beautiful.

But suppress premature applauds, since the combat system is where the game can truly be tested. And thus, it's where the game is perhaps least adequate. The over-the-shoulder third person perspective mitigated and underwhelming when 'firing from the hip', although the targeting system (a click of 'LT') does little to alleviate any problems since such lock mechanics are extremely rigid and far from dynamic. Specific targets can not be targeted, instead you'll be hoping that the system correctly guesses your plan of attack in a frustrating display of combative nuance. It'll certainly take a good deal of your hands-on if you're to get to grips with the mechanics behind such a system, although thankfully meleeing your way through the AI hordes is satisfying and deadly- going some way to alleviating such problems. It's a testament to its kinetic design that this is the case, since you'll most probably wade through the wave of enemies so quickly that such frustrations fail to hinder the impressive weight of the rest of the experience.

The variety in the arsenal of weaponry is certainly pleasing, with the usual shotgun, assault rifles and SMG's all complimented with the more powerful additions of the grenade launcher, rocket launcher and projectiles- cluster grenades and the like. All of which will be unlocked upon further progression in the game, and available to you from calling in weapon and vehicle drops (from a roll-caged buggy to a hefty steel truck) from Agency controlled areas. The demo, in fact, speeds up the rate of upgrades sufficiently in proportion to the limited 30 minutes with the hands-on that there is a smooth sense of progression felt in the half hour. The game's design is in fact so devoted to the feeling of ever-evolving suit abilities and the like, with the help of the collection of the number of orbs (ability, vehicle, strength etc.) scattered over the city, that soon you'll be adding verticality to your level of play, jumping from rooftops and over Pacific City's sprawling urban jungle instead of driving in any of the vehicles on the roads, as an increased skill-set is given- increasing running speeds, or the height of jumps, for example.

Of course, with sandbox gaming comes a level of freedom. Whether you choose to take up the Agency's missions, here in “restoring Agency dominance” or “establishing power networks” with the eradication of Crackdown's aptly named “freaks”, or choose to quench your unabashed desire for sheer mayhem in choosing to deviate from any required actions. The addition of its side missions are satisfactory and fulfilling in addition to the weight of the main game, whether in checkpoint races through the streets in vehicles, or 'free-running on steroids' in the free-running missions, leaping from checkpoint to checkpoint over rooftops. Audio logs can also be picked in order to flesh out the back-story in regards to the foundations of the city, and handily play over the top of game play.

The demo that is now available on Xbox Live is exceptional in delivering key aspects of Crackdown 2's design. It's engaging, exciting and not amiss to the odd splashing of claret. Also featuring up to four player co-op and the ability to unlock achievements within the demo, it'll get no doubt get you revved up for the full package. It's taken me by surprise, certainly that I'm now actively awaiting its July 9^th release.

All Format Chart- Week Ending 19th June 2010

2010-06-25T00:06:00.000+01:00

Rooms: The Main Building (DS)

Just Dance (Wii)

2010 Fifa World Cup (PS3, Xbox 360, PSP, Wii)

Super Mario Galaxy 2 (Wii)

Red Dead Redemption (PS3, Xbox 360)

Wow. Being as the chart is exactly the same from last week's, besides Rooms and Just Dance swapping places, there really is little to say. Red Dead Redemption's prowess continues to shine sales wise, with even the World Cup failing to push 2010 Fifa World Cup to a higher position.

Hopefully, we will see a change next week with a few big releases. Lego Harry Potter: Years 1-4 is likely to enter the top 5, possibly making it into the top three. The second licensed video game of the week, Transformers: War for Cybertron is likely to also trouble Marston on top spot, although I'd expect this to remain consistent sales wise, rather than a huge first week push.

Out this Week! 25th June 2010

2010-06-22T20:49:00.001+01:00

American football game Backbreaker is the first of many titles that are set for release this week. Using the 'Euphoria' engine, physical player interactions are all calculated on the fly, in differentiation a set animation technique, ensuring play is fluid and dynamic. The NFL license is not used however within the game, with Madden having sole use of licensed teams and players. [PS3, Xbox 360]

Coming much later than its release elsewhere in the world, From Software's hardcore RPG Demon's Souls is finally available within the UK this Friday, published by Namco Bandai. The third-person action RPG takes place in the fictional land of Boletaria- a land beset by cursed demons, of which the hero will need to banish. [PS3]

Traveller's Tales' latest Lego game is out this week. Lego Harry Potter: Years 1-4 focuses on the first four Potter films, all re-created in plastic block glory. The classic humour that TT have shown in abundance in delivery of their other licenses ought to be seen here, with the magical story only further infusing the game with unique and fun game play mechanics. [PS3, Xbox 360, PC, DS, Wii, PSP]

Another game relying on the success of its licensed forbearer's is High Moon Studios' third person shooter Transformers: War for Cybertron which takes place prior to the event's of the original animated series, when the Transformers still lived on the planet of Cybertron. The game hosts two distinct campaigns for each faction, the Autobots and the Decepticons. [PS3, Xbox 360, PC, Wii, DS]

Preview- Doctor Who: The Adventure Series (Ep.2)

2010-06-22T16:33:00.000+01:00

Fans of the classic British sci-fi series, 'Doctor Who', can now play as the Doctor themselves in the second episode of the game series Doctor Who: The Adventure Series, developed by BBC Wales and Sumo Digital. The first episode, 'City of the Daleks', received over 525,000 downloads within its first 12 days, whilst the latest episode (entitled 'Blood of the Cybermen') can be downloaded straight from the Doctor Who web-site immediately after the TV series finale this Saturday, 26^th June 2010...[ctd.]

Part of my work on midlifegamer.net. Click here for the rest of the preview.

Review- Splinter Cell: Conviction [Xbox 360]

2010-06-21T22:26:00.000+01:00

Publisher: Ubisoft

Developer: Ubisoft Montreal

Released: 13^th April 2010

Other Formats: PC

Ubisoft had a difficult decision in how to approach the latest Splinter Cell game. In fact, after the critically disappointing Double Agent, the follow-up was officially announced in May 2007- set for release later that same year. However, the project was then “put on hold” by Ubisoft who decided to re-think their approach. The game re-surfaced at last year's E3, with an all-new visual style, with Sam Fisher having shaved his dishevelled beard for a cleaner, more casual look.

The wait has been long, but the qualities that seethe from Splinter Cell: Conviction's surface make it abundantly clear from the get-go that this has been a labour of love, a project in which the developer, Ubisoft Montreal, were unwilling to release without it oozing with polish. Coming to play Conviction is joyful and eventful- whether a fan of the previous titles within the series, or as a newbie to the stealth-action franchise.

Linear in its outset, Conviction actually presents more choices to the player than it first appears. In its open level design, progression can come about in a number of variants. In a differentiation from the previous SC titles, Conviction is less insistent on focusing entirely on the tip-towing of its stealth game play mechanics- instead allowing the player to take the fight to the enemy with a more action-orientated design. Not that it's particularly useful, since you will more likely focus on its stealth, cover-to-cover approach for combat to be truly effective since it can be be justifiably overwhelming if employing the role of action hero, with a non-stop barrage and spray of bullets coming from AI operatives. Sticking to the shadows is probably your best bet (neatly visualised with an amalgamation into black-and-white visuals), whilst sticking to cover (by holding the left trigger) and systematically bouncing from cover-to-cover to avoid the onlooking gaze of unaware opponents, with arrows super-imposed over cover objects to indicate where Fisher will end up, making stealth game play smooth, direct and as hassle-free as can be. The aforementioned black and white visuals and pointer arrows are only two of the uniquely distinctive aesthetic tricks that the team employ to give the game its dynamic looks. Objectives are also projected onto the scene, with expositional markers key to the overarching plot also intertwined seamlessly into the environment. Certainly a neat trick but also suitably pointless and unnecessary- I felt the addition of such elements withdrew me from scenes instead of the intended purpose to immerse me, with their distractions pulling me out of the otherwise engaging experience.

The “last known position” 'ghost' is an inclusion, however, that I felt was particularly outstanding, with an outline of Fisher shown where last seen. Key in crafting neat tactical approaches, the ghost ensnares AI to pound that one spot (seemingly unaware that Fisher can, in fact, move!) to flank them from behind. In all respects, it's where the player can plan ahead into unique encounters that the game really works, ensuring thrilling and often nail-biting tension sequences to crop up from minute to minute. The 'ghost' only adding to the already hugely accomplished Splinter Cell tactical style of play that makes the series so successful, with silent take-downs, taking out light sources, and use of gadgets also playing a key role in survival. Gadgets are wondrous if you are to experience Conviction at its best- where a sole flash bang is unlikely to suffice if you wish to take on a whole room of goons. Instead, gadgets can be used in conjunction with each other for constructive progression through levels, where enemies can be tackled head on with EMP blasts that stun them momentarily, whereas a stealth approach can be established with the excellent 'sticky cam'- allowing you to take in your surroundings, or entice enemies nearer to its self-detonation with its “make noise” effect. In balancing all of the abilities available to you (and combining this with the correct equipment of firearm- where a pistol will more than suffice), Conviction puts its lead leg forward, establishing a breathtaking action game. The deadly mechanic of “mark and execute” is also nicely integrated, and results in a devastating fury of succinct bullets bound for each of Fisher's targeted nemeses (highlighted using 'RB')- often seeing room-fulls of enemies dispatched in one clear sweep, and marks Sam out as his natural born killer personality. Not that Michael Ironside otherwise does anything to give Fisher any redeeming qualities as a character, in his droll voice delivery that rambles through the script with a feel of utter boredom and laziness.

The underlying problems with the game can almost be overlooked for the quality that lay elsewhere within. Sometimes frustrating, the game has large sections of game play with little checkpoints between, so savouring cut scenes time after time is likely to grow aggravating when trying to accomplish your task. In one section, I had to walk to a desk every time, talk to the clerk, only then getting into the action. I witnessed this time and time again, no doubt ensuring heightened stress levels, only making progression even harder.

Elsewhere in the game's superb presentation, Kaveh Cohen and Michael Nielsen do their best in composing an uncompromising score- where they leap from slowly drawn out melancholic moments to upbeat, tension-heavy orchestral pieces (often not too dissimilar to the Bourne score). In a story that leaps from set piece to set piece in its short running time, Splinter Cell: Conviction presents a number of remarkable and hugely memorable sequences, such as the foot race around the Washington Monument, or infiltrating the Third Echelon headquarters in nerve-tingling fashion with the help of Sonar goggles. With enough attention to detail to match the most classy of games of this generation, you can't help but feel the extended development time has done no harm to the game whatsoever, with sets vibrant with life and minute constructions. Game play is forever smooth and well worked, with gun play also being well suited to its genre tropes. Definitely worth recommending, Conviction is a blast.